Corren Cavini is everywhere right now — and we had to find out why
Every now and then, an artist breaks through in a way that’s impossible to ignore. In 2024, that artist is Corren Cavini. What started as a steady rise through the Dutch electronic scene has accelerated into something much bigger — a breakout year marked by his first international shows and a tour schedule that hasn’t let up since.
From São Paulo to Johannesburg, from the iconic Paradiso Amsterdam to Berlin’s gritty underground, Corren Cavini is no longer a hidden gem — he’s front and center, crafting melodic, emotional dance music, winning over crowds and peers alike. At Mixmag, we’ve had our eye on the Dutch producer for a while, but it was his whirlwind 2024 that made one thing clear: this is his moment. So, we caught up with Cavini to unpack the journey and what it feels like to be living the dream you’ve had since you were eight years old.
“I already knew I wanted to do music as a job when I was about eight years old.”
For Cavini, the path to electronic stardom didn’t begin in a nightclub—it started with a guitar and an obsession with the Red Hot Chili Peppers.
“It’s been a long road. I think I already knew I wanted to do music as a job when I was about eight years old. However, back then, I thought I’d be a guitar player in a big rock band—I was completely obsessed with bands like Red Hot Chili Peppers. That early love for emotional, melodic music stuck with me, even as my sound evolved.”
His teenage years marked a turning point: discovering dance music, diving into production, and DJing for the first time.
“When I was around 15, I discovered dance music and started producing and DJing, and that’s when things shifted. Even now, I can still hear those early influences in my productions—not in the sense that I have rock elements in my tracks, but in the emotional storytelling. That’s always been a focus for me as I developed musically. Whether a track has lyrics or not, it needs to mean something to me. That emotional thread runs through everything I create—it’s often melodic, atmospheric, and deeply personal.”
“I want to make music that says something, that connects.”
It’s hard to pin Cavini down to a single genre. His productions, often sweeping and cinematic, walk a fine line between euphoria and melancholy—music meant not just for dancing, but for feeling.
“Deep down, I’ve always gravitated toward emotional and melodic music—even when I was younger, I loved sentimental singer-songwriter stuff. But when I started producing electronic music, there was a phase where I felt insecure about myself as an artist. I thought maybe I needed to be more underground, or play darker, cooler records to be taken seriously.”
That self-doubt eventually gave way to clarity and confidence.
“There haven’t always been many artists in the house and techno world who focus on positive, emotional, even euphoric sounds, and I felt a bit self-conscious about that at first. It took time and confidence to embrace the sound I felt drawn to. But now I’m proud of it. I think I’ve developed a unique approach to dance music: one that doesn’t shy away from big feelings, whether they’re joyful or heavy. I’m not just trying to make bangers for the sake of it. I want to make music that says something, that connects.”
“I often talk about this creative triangle I rely on: life, emotion, and nature”
While his music may feel otherworldly, Cavini’s inspiration is deeply grounded in the everyday — in emotion, memory, and the healing power of nature.
“There have been a lot of artists who influenced me over the years. Like I mentioned, early on, it was Red Hot Chili Peppers—especially John Frusciante. When I started moving into electronic music, artists like Joris Voorn and Maceo Plex had a big impact, especially in the DJ world. And then there were artists from a wider spectrum like Porter Robinson, Paul Kalkbrenner, and Worakls—people whose music felt cinematic and emotionally rich. Those sounds shaped how I wanted to express myself.”
But perhaps even more significant than his musical heroes is his inner life.
“Outside of music, one of the biggest influences on how I make music has always been my emotional life and the way I process it. Music has always been a space for me to work through feelings, both good and bad. I often talk about this creative triangle I rely on: life, emotion, and nature. Big things happen in life, they trigger emotions, and I take time to reflect, usually in nature. Whether it’s sitting quietly by a lake or walking through a park, that space allows the emotion to land. And from there, the music almost naturally flows out of me in the studio.”
“Wow, this is happening.”
The past year has been a blur for Cavini. From never having played internationally to headlining clubs on different continents, 2024 marked a turning point.
“Absolutely. Before 2024, I had never even played internationally. Then suddenly, in February 2024, I found myself landing in São Paulo to play LaRoc Club during AmeLaroc Festival—one of the biggest and most renowned clubs in the world. That show was a huge moment for me. I came off stage feeling completely overwhelmed in the best way, like, ‘Wow, this is happening. This dream I’ve had for over a decade is real.”
But it wasn’t just the show—it was the connection afterward that stayed with him.
“What struck me, though, was the connection with the crowd afterward—especially in a place like Brazil, where there’s often a language barrier. Even without words, people found ways to tell me how much the music meant to them. That kind of connection is incredibly humbling and gives me so much energy to keep going.”
“Some of the new tracks I’m working on are directly influenced by the places I’ve played.”
While touring can be disorienting, for Cavini it’s also a source of creative fuel.
“It’s a lot to take in. One weekend you’re playing on the other side of the world, and the next you’re back home trying to find your rhythm again. It’s a constant adjustment, but I’m loving it. I feel incredibly lucky to be doing this, and I want to keep doing it for as long as I can.”
He stays grounded by staying true to his artistic vision.
“I haven’t changed my creative approach. I won’t compromise on my sound to fit an audience. My philosophy is that the music should reach the people it’s meant to reach, wherever they are. And it’s been inspiring to see that happening.”
And the tour itself has become a source of new material.
“Touring like this has sparked a lot of creativity. After emotionally intense shows, I’ll often come home feeling inspired, and that energy flows into the studio. Some of the new tracks I’m working on are directly influenced by the places I’ve played—sort of musical tributes. I think that’s something I’ll continue to do.”
“It’s become a real personal connection.”
With co-signs from some of the most respected names in the melodic house and techno world, Cavini’s rise has been supported from above, but he hasn’t lost his perspective.
“It means a lot, especially because, in some cases, it’s grown beyond music. With people like Eelke and Nora, it’s become a real personal connection, and that’s something I deeply value. In terms of creative direction, I try not to let outside validation steer the core of what I do. I stay focused on my artistic vision.”
Still, having mentors helps.
“Having their support has helped me grow in other ways. For example, when I release on their labels, they’ll often give me feedback that helps improve the tracks technically or structurally. That input has helped sharpen my skills as a producer.”
“How is this real? How is this my life?”
Among the many cities he’s touched down in recently, one stood out for reasons both beautiful and deeply personal.
“Yes, recently in South Africa. In March 2025, I played a show in Johannesburg, and before that, I joined Nora En Pure and Jono Stephenson in Cape Town. For the first time, I had a little bit of time to explore, and Nora and I hiked Lion’s Head, a mountain by the coast in Cape Town, during sunset. It was one of those moments where I just thought, ‘How is this real? How is this my life?”
That show in Johannesburg hit hard.
“The set I played in Johannesburg was full of personal meaning—there was literal trauma woven into it. After the show, I found a quiet place, called my girlfriend, and just burst into tears. It was one of those moments where you realize the dream you’ve worked toward for 10 or 15 years is happening. It’s something I’ll never take for granted.”
“Every set is a journey I build together with the audience.”
For Cavini, DJing isn’t about showcasing a fixed repertoire. It’s about co-creating an experience.
“I always try to connect with the people in front of me, wherever I am. Cultures are different, crowds have different tastes, and I adjust the energy and emotional tone of my sets accordingly. But I never cross the artistic boundaries I’ve set for myself. I always stay true to my sound—it’s just about finding the part of it that resonates most with the crowd in that moment.”
Improvisation is his fuel.
“The way I DJ is very improvisational. For me, every set is a journey I build together with the audience. That’s why I don’t enjoy rehearsing sets or playing the same thing over and over—it only makes sense when there are people in front of me to connect with. So yes, I adapt. But always from within the world that is authentically mine.”
From sold-out festivals in Europe to emotional sets in South America and South Africa, Corren Cavini’s music isn’t just crossing borders—it’s bridging hearts. With more tour dates lined up and a flood of new music on the horizon, one thing is clear: he’s not just having a moment. He’s building a legacy.
