Juliet Fox: the birth of symmetry

If we had to define the word symmetry, we might call it an ordered correspondence of form and position between parts, or, more poetically, a harmonious balance among different elements. Juliet Fox embodies this idea in all its complexity: mother and artist, woman and DJ, a body that cradles and a body that shakes the dancefloor. Hers is not a division, but a fusion. In her, symmetry is not rigid or static: it is wild, burning, alive. Two flames feeding each other, the fire of motherhood and the fire of music, amplifying rather than consuming. Juliet does not choose which part of herself to show: she holds them together in a balance that is power, not compromise.

Pregnancy never slowed Juliet down; it reshaped her connection to the decks. Now the road has new priorities, and balancing motherhood with endless nights has become uncharted ground.

“It’s been a completely different year for me, balancing being a mum with late nights and life on the road. Honestly, I’ve actually found performing a bit easier in some ways, because you’re already up all night anyway. When I’m travelling with Cosmo, I can focus more, stay balanced, and have a healthier routine. It makes the experience more enjoyable. And when I don’t travel with him, I tend to fly late, play the show, and fly straight back from the club to be with him.
I do things with more intention and passion, it’s given me a whole new perspective on life. Being up all night is already part of the job, so in a way, parenthood and performing overlap. But now it makes me want to give my absolute best every time, even more than before.”

2025 brought Juliet back to collaborations, forging creative bonds that expanded her sound.

“For the past two or three years, I was more focused on my solo tracks, but I realised something was missing: that connection you get when producing with others. So my aim for 2025 was to return to collaborating with as many artists as possible, and it’s been amazing to connect with others.
My first collab this year was with WarinD, who’s from Italy. We released a track, ‘Stay With Me,’ on TREGAMBE, which later also had a remix by Charlie Sparks. I then worked with Teneya, a Ukrainian vocalist based in Amsterdam. We actually met through a mutual friend. Most recently, I worked with Stēh, a Brazilian artist based in Portugal. She sent some tracks and demos to TREGAMBE as well, and I loved what she was creating, so we ended up working together on ‘Apollo 11’. I also connected with CARAVEL, whom I met in New York, where we both played. This one is almost finished. I’m now working on something exciting with Amber Broos, which will lead to a nice project together across 2026.
On the solo side, I have two projects coming: ‘Miss U’ in October on my label, and another solo track on Armada in November.”

The summer of 2025 took her from giant festival stages to intimate rooms, with motherhood adding new depth to each milestone…

“I actually lived two summers this year! The first summer of the year saw me play Dreamstate in both Sydney and Melbourne in Australia, which was a massive milestone for me, especially since I had given birth four weeks earlier. Getting on stage in front of such huge crowds was nerve-racking but also amazing. I realised then how motherhood made me see people and music in a different light.
Then hopped over to Miami for Ultra, which ended up being rained off due to a crazy storm, but I still got to play for a little bit anyway. I then attended Elrow Italy, which was crazy and as much fun as ever. Then, more highlights included Elrow Island, The Berlin Love Parade, Loveland Festival, two of my own huge shows in New York, and a massive set for Resistance in Ibiza at Amnesia and Drumsheds in London. I am still adjusting to how my body was and how it feels to perform now, in the best possible way. The crowds have been so great, and I love this new energy.
And then hosting my own label showcase in the Algarve, Portugal, in August was incredibly rewarding. Building that sense of family and being able to play alongside the artists on the label is so special. We’ve got even more label events planned for next year, which I’m really excited about.”

Her sound now gravitates back to harder, faster roots, while opening space for vocals and new textures.

“I’ve always loved hard, fast-paced sounds with groove. Over the past year, I’ve found myself naturally gravitating back toward that, back to where I first started. When I was younger, I listened to complex dance and trance music, and those DJs really inspired me. So while my sound has evolved a bit, it’s still rooted in that harder, driving energy.
I’m also experimenting more with vocals, which have always been part of my signature. You’ll hear my own vocals in ‘Miss U’. Part of the reason why I love collaborating with other artists is that it’s also a way for me to explore and mesh different textures with their own styles.”

That is why TREGAMBE has become more than a personal outlet: a family of artists and a space for experimentation.

“From the beginning, when I started signing other artists, I always wanted TREGAMBE to support up-and-coming talent, people with fresh creative ideas. I envisioned it as a family-like label where we could curate our own nights, and that’s still the direction I want to grow in.
We’ve now done 30 releases, which I feel is a real achievement; I don’t see this slowing down! Being a new mum has limited how many events I can take on, but I’m happy with how the label has developed. We’ve signed new artists, built collaborations, and everyone involved has been growing their own profile, too. Playing b2b with Stēh at our label night in the Algarve and in Lisbon was a highlight. I want to keep creating those connections between everyone on the roster.”

2026 is already set to be a year of back-to-backs, with new synergies waiting behind the decks.

“I’ve always loved playing b2b because it shows such a unique synergy between the artists. I recently did a B2B with Joyhauser (Foxhauser) in Copenhagen, and we built a fantastic energy. We played until 6 am at a club and could have easily carried on for hours! But before that, it’s actually been a long time since I’ve done it, so that’s going to be a big focus for me in 2026.
I’m already set to go b2b with Lee Ann Roberts for a few select shows around the world, as well as a B2B project with Amber Broos, which I’m really excited about. I’m definitely open to exploring more collaborations in the future; they add a whole different dimension to performance and production.”

Beyond the b2bs, 2026 promises global tours, sonic growth, and the balance Juliet wants to protect.

“The main thing is to keep everything moving forward while maintaining balance, like I managed to do this year. I want to continue developing my sound, touring consistently, and maintaining that momentum.
Our plans for next year include moving from Australia to the U.S., then to the European summer, and finally to Asia. I’m really excited to follow the seasons around the world, this time touring as a family. I want to keep growing my label and my brand KIKON with shows around the world, and I’m really keen to focus on exploring new territories and exciting shows throughout the year.”

Her journey is also a manifesto: redefining what success means for women in music, demonstrating that career and balance can coexist and grow together.

“I want to keep showing other women that it is possible to juggle everything. I don’t always show the hard side of it, and sometimes it’s really challenging, but it’s so rewarding to move through the months and years alongside your child’s growth while still releasing music and performing. It's excellent for Cosmo to join us on the road occasionally and meet the fantastic people we have become friends with around the world through this job.
This topic means a lot to me, and I’d love to be available for anyone who has questions or wants to talk about it. I think it’s essential that we all share more openly. I hope that by showing examples of my life, both personally and professionally, it will serve as inspiration to those considering juggling life with being an artist. It is all achievable, even if it seems impossible or complex, you can make it all work, most importantly, having the support from those around you, especially my partner in life and business, and a great team.”