EVIE: The Power of the Unpolished

Some artists arrive like a drop: sudden, loud, hard to ignore. Others move like a low-end frequency, gradual and patient, built for longevity. EVIE is the second kind. As a DJ, producer, and label founder, she’s spent the last few years building something that moves with weight but without noise. No rush. No gimmicks. Just raw cuts, meaningful connections, and a vision that’s finally catching fire.

With her label 3Sixteen, she’s curating a sound that sidesteps gloss for gravity. It’s not just about the track; it’s about what that track does to a room. And as her profile rises—from back-to-back magic at Amnesia Ibiza to her upcoming Paradise x UNVRS debut with Jamie Jones—EVIE’s taking the long way around the spotlight. On purpose.

In conversation, she doesn’t put on a show. She reflects. She discusses community-building, her admiration for artists like Burnski and RTK Tarantino, her commitment to showcasing music that “hits you in the chest,” and how her artistic journey is inextricably linked to the opportunities she creates for others. You get the sense that, for her, success only matters if it’s shared.

When I ask about 3Sixteen, the label that’s quietly become a north star for heads in the know, she doesn’t frame it as a brand. It’s more like a safehouse.

“I started 3Sixteen as a space for myself and artists I believed in to create something authentic and unique in the music scene,” she says. “At the beginning, it was about releasing quality music with friends and people whose work I respected.”

What began as a close circle has expanded into a kind of sonic neighborhood, rooted in mutual respect and built on gut feeling.

“The vision has evolved. What started as something small is becoming much bigger, with more intention behind the brand and a stronger identity in itself.”

It’s clear she’s not in this for vanity metrics or hype cycles. She wants movement with meaning. She lights up when talking about the next wave.

“Looking ahead, I’d love to bring on artists like Burnski and RTK Tarantino. They represent the kind of forward momentum I want for the label. I truly believe this is just the beginning.”

Running a label while continuing her rise as a producer might sound like a split focus. For EVIE, it’s the same.

“As a producer and label head, I balance releasing my music with supporting the artists on 3Sixteen by viewing both roles as interconnected. When you genuinely love what you do, you make time for it. My growth as an artist fuels the growth of the label, and vice versa.”

That sense of reciprocity is evident in every aspect of her approach.

“I want my success to create opportunities for others, so we can all thrive together. It’s about building a community where we share knowledge and support one another’s creative journeys.”

When it comes to curating what ends up on the label, she doesn’t over-intellectualize. It’s all feel.

“When I listen to demos, I’m tuned into the mood and atmosphere. I’m drawn to tracks with a deeper bass that hits you in the chest and sets a darker, moodier tone. I love when the energy is raw but still has depth.”

She’s not into over-engineered shine. She’s into grit, tension, and shadow.

“It’s less about being overly polished and more about feeling something genuine, something that transports you to an underground basement at 6 AM. If it’s too bright or lighter, it’s probably not the right fit. But if it pulls you in and creates a certain tension or vibe, I’m all about it.”

The conversation shifts naturally toward Paradise x UNVRS, where she’ll make her debut this season. It’s a slot most artists would kill for, but for EVIE, this one is personal.

“Joining Jamie Jones’s Paradise at UNVRS is honestly a dream come true,” she says. “When Jamie first started playing my tracks four years ago, I never imagined it would lead to this.”

She’s not speaking in metaphors here. She’s speaking as a fan turned contributor.

“I’ve been going to Paradise for over 12 years, and I still remember the first time I saw him at DC10 in 2013! It’s moments like those that shaped my love for house music.”

It’s hard not to feel the emotion behind it.

“When I found out I’d be joining the Paradise family in their first year at UNVRS, I couldn’t help but shed a few tears. For anyone who knows me, they know how much this means to me. It’s mad being part of a movement that’s shaped my sound and identity.”

There’s no posturing. No PR fluff. Just honest gratitude and a desire to deliver.

“This debut for them in Ibiza is more than just a career milestone for me. It’s an opportunity to grow as an artist, connect with the global Paradise community, and contribute to the evolution of underground house music.”

She’s already crafting the set. Not track by track, but mood by mood.

“Preparing for a space like UNVRS, I focus on creating an experience that aligns with their exceptional standards of sound and production. With such a top-tier sound system, it’s not just about what I play, but how the sound interacts with the space.”

Her mind is on emotional flow, spatial impact, and frequency control.

“I’m thinking about emotional narratives, dynamic builds, and how, as the artist, I can amplify specific frequencies or moments.”

Still, she never over-plans. Some things are best left for the night.

“While I plan the set to evoke a particular feeling, there’s always room for spontaneity, as I respond to the audience’s energy and let the moment shape the performance. I aim to create a journey where the crowd feels fully immersed, not just in the music but in the entire environment.”

And in terms of how she sees herself fitting into Paradise’s broader story?

“Paradise is all about creating that perfect balance between high-energy moments and more groovy, deeper beats,” she says. “I want my music to connect with both long-time ravers and newcomers, offering an experience they can lose themselves in, yet with moments of surprise and depth.”

We circle back to Amnesia, where she closed the club in a massive B4B with East End Dubs, Luuk Van Dijk, and Sidney Charles.

“It actually happened because Eats Everything unfortunately forgot his passport,” she says, laughing. “Dubs asked me to go B4B with him and the boys. It was my first time playing at Amnesia. I’d just warmed up, and I honestly thought he was joking at first!”

Nerves gave way to electricity.

“Jumping in with him, Luuk, and Sidney was incredible. The energy was off the charts! Everyone was vibing together, and it helped me grow as an artist. That night gave me a lot more confidence.”

The set was pure chemistry: tempo shifts, classics, long builds that paid off again and again.

“We played classics, high-energy tracks, and those timeless songs that always get people moving. We played with tempo, building energy and giving the crowd just enough time to catch their breath before hitting them with another banger.”

And the crowd? Locked in.

“We’d drop those familiar vocals or loops that would get the room going, and that kept the vibe flowing. We were all so locked in that the club ended up staying open longer.”

The memory still stings, in the best way.

“Looking back on that night, what stands out the most is closing such a legendary venue because it wasn’t just a career milestone, but also a personal one. It felt like a full-circle moment, something that shone a light on me.”

And like so much of her path, the moment was made possible by the people around her.

“I can’t thank Dubs enough for giving me the chance; he is someone I look up to. I’ve learned so much from him, both as an artist and as a person… and to be able to share that moment with him? It’s something I’ll never forget.