Energy, Emotion & Evolution: Inside the Mind of Amber Broos

At 22, Amber Broos is already making decisions with the clarity of someone ten years more experienced in the industry. Her last EP on Arcane, the label curated by Eli Brown, marks a creative pivot that’s less about proving herself and more about refining what already works.

The project was produced alongside Belgian artist Bermio, someone she calls both a close friend and an ideal creative partner. The result is a four-track statement that pulls from retro Belgian club culture and layers it with a darker, rawer texture. The EP trades oversized peaks for control, leaving just enough tension to keep the room locked in.

“These tracks aren’t trying to impress anyone.”

“But they’re made to make people dance and enjoy themselves.”

There’s no inflated concept behind the record. No false narrative about reinvention. What’s notable is how self-assured it sounds. It doesn’t chase hype. It doesn’t ride trends. It delivers precisely what Amber intended, with a sound that lands between retro warehouse nostalgia and modern-day pressure.

“I made the EP together with Bermio, a very talented Belgian producer and a dear friend. We were completely in sync creatively, which made the whole process feel effortless and genuine.”

“Artistically, it blends my deep love for Belgian retro with more modern, raw textures. These tracks aren’t about flexing production skills. They’re about energy. They’re about joy.”

For someone who started DJing at 13, evolution is inevitable. But there’s a visible shift here. Broos isn’t just tweaking her sound. She’s reshaping the way she frames her work. The tracks are structured with a longer arc in mind. Less about immediate payoffs and more about functional build. This is music written for DJs. Not playlists.

“The most challenging part was trusting my instincts and staying true to what I wanted to express, rather than focusing on what I thought people expected of me.”

“There’s always that pressure to fit a formula, to chase a specific reaction. But this EP reminded me that the most powerful energy comes when you create from a real place.”

That mindset carried through to the label decision. Arcane was the obvious choice, not because of its name, but because of its sound. Amber wasn’t looking for reach. She was looking for the right ears.

“Arcane understands techno that’s both modern and atmospheric. That’s exactly the sound Bermio and I were going for. It felt like the right home.”

What sets Broos apart from other artists her age is not just her technical consistency, but her lack of hesitation. There’s no inflated ego and no performative humility. She’s focused. She knows what she wants, and she knows how to execute. That includes managing a packed touring schedule while protecting the reasons she got into this in the first place. With releases on Hilomatik, Filth on Acid, Arcane, and tracks in the making with several prominent international artists, she’s also preparing herself for a big year in 2026 and trying to grow each year while keeping her sound relevant but also still true to herself.

“I grew up around music. My dad’s a DJ. I learned quickly how to take things seriously.”

“I feel lucky that I knew what I wanted to do from such an early age. That gave me a sense of purpose from the beginning. But I’m still learning how to balance everything and enjoy the ride.”

The conversation around touring and artist well-being has been louder than ever in recent years. Broos doesn’t preach about self-care, but she makes room for it. Her routines are small, manageable, and private. Phone calls after shows. Time with friends. Long walks before soundcheck. They don’t make it to social media, but they keep her aligned.

Earlier this year, she joined a two-week expedition through Patagonia. It wasn’t for content. It was for clarity.

“You have to let go of everything and just keep moving forward. It clears your mind in a way nothing else does.”

“That kind of stillness, without any pressure to do something or be someone, is so valuable.”

This is what makes Amber compelling. She’s busy, but not frantic. Her bookings are rising, but her identity is stable. She’s not addicted to movement. She knows when to pull back.

“When I was younger, I said yes to everything. I didn’t want to miss a single opportunity.”

“But over the years, I’ve realized that constant output can kill inspiration. I still love being busy, but I also know I need to make space to recharge. The fun I have behind the decks is one of my strengths. Protecting that fun means taking care of myself.”

That same honesty carries into her upcoming B2B with Juliet Fox at ADE, hosted by Mixmag. On paper, it’s a bold pairing. On a dancefloor, it’s a smart one. Amber is looking forward to the tension, the release, and the shared control.

“Juliet is someone I admire a lot.”

“Playing back-to-back with her is going to be a fascinating challenge. It’s about trust, listening, and letting go of control. I’m looking forward to that exchange of energy.”

Behind the decks, she’s in charge. But away from the booth, she’s open. She asks herself real questions. Is she evolving fast enough? Is she playing it too safe? Has she settled into patterns? These aren’t press-friendly questions. They’re private ones. And that’s precisely why she asks them.

“When everything quiets down, I often ask myself if I’m still pushing my sound in the right direction. Am I still curious?”

“It’s not about doubt. It’s about staying open.”

She doesn’t talk much about goals in the traditional sense. When she does, they’re framed around people, not metrics. She wants to help more girls feel seen in the industry. She wants to mentor others, the way her dad mentored her. The mission isn’t about standing out. It’s about creating access.

“I want to support other young artists, especially girls who don’t always see a space for themselves in this scene.”

“My dad taught me how to DJ and believed in me from the beginning. That made a huge difference. I want to pass that on someday.”

What you get with Amber Broos is clarity. No gimmicks. No mythology. Just an artist with a strong compass, a clean sound, and a clear sense of what matters. Growth, for her, isn’t always visible. Sometimes it’s just how you handle decisions.

“I want people to remember the energy. Not just the music, but that feeling in the room. The moment where everything clicks and you feel truly alive.”

This scene rewards speed. But Amber Broos is choosing direction and longevity. At 22, she’s figured out what many artists take decades to learn: the real power comes from restraint. Her new EP on Arcane doesn’t scream for attention. It locks into a groove and stays there. It’s retro in texture, modern in attitude, and entirely uninterested in validation. That, in itself, is a statement.

She’s not trying to rebrand techno. She’s not selling a revival or a concept. She’s focused on energy. Not the BPM kind, but the emotional kind. The type that lives in a room when everything lands just right. That precision is what sets her apart. She doesn’t use her age as a narrative crutch. She uses it as a tool. Her connection to Belgian club history isn’t theoretical. It’s in her muscle memory. And yet she’s already moved past proving she belongs.

What this story reveals is a new kind of artist. Not just a DJ who can fill a slot, but someone who understands architecture, how to build tension, how to hold space, how to release it with purpose. In interviews, she doesn’t pontificate. She reflects. She’s comfortable with silence and careful with her words. That same approach shows up in her music. It’s not flashy. It’s intentional. And that’s why it works. In a time where everything is optimized for the algorithm, Amber Broos is optimizing for longevity.